Prace Polonistyczne

OPEN ACCESS STATEMENT

Prace Polonistyczne is a diamond open-access, peer-reviewed academic journal published by the Łódź Scientific Society (Łódzkie Towarzystwo Naukowe). All content is freely available online immediately upon publication without charge to the user or their institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles without asking prior permission from the publisher or the author.

LICENSING AND COPYRIGHT

Starting from 2024, all articles are published under the Creative Commons Attribution 4.0 International (CC BY 4.0) license. In previous years, articles were published under the CC BY-NC-ND 4.0 license. Information about the applicable license is provided with each individual article.

Authors retain full copyright to their works. By submitting a manuscript, authors grant the publisher a non-exclusive, royalty-free license to publish, archive, and disseminate the accepted version. Authors may deposit the publisher’s final version (Version of Record) in institutional and subject repositories without embargo, in accordance with the CC BY 4.0 license.

ARCHIVING AND PRESERVATION

assignment of DOIs (Crossref)
digital archiving in PKP Preservation Network (PKP PN)
national digital libraries such as POLONA

ARTICLE PROCESSING CHARGES (APCs)

The journal does not charge any submission fees or article processing charges. Publication in Studies in Law and Economics is free of charge for authors.

_{POLISH GOVERNMENT FINANCIAL SUPPORT}

The journal is financed by the Ministry of Education and Science within the ‘Development of Scientific Journals’ programme under agreement no. RCN/SN/0113/2021/1 of 6 December 2022. Project duration: 31 October 2022 – 31 October 2024. The grant amount is 60 868,00 PLN. The programme aims to support editorial staff in the implementation of the journal’s development strategy.

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Current Issue

Vol. 80 (2025): The Art of Editing – from Analogue to Digital

View Vol. 80 (2025): The Art of Editing – from Analogue to Digital

VOLUME EDITORS: Katarzyna Kaczor-Scheitler, Małgorzata Mieszek, Anna Petlak

_{Published with the financial support of the Department of Old Literature, Editing and Auxiliary Sciences, Institute of Polish Philology and Logopedics, University of Lodz}

Published: 2025-05-21

Full Issue

SPIS TREŚCI / TABLE OF CONTENTS (Język Polski)

EDITORIAL
DOI: https://doi.org/10.26485/PP/2025/80/0

Katarzyna Kaczor-Scheitler, Małgorzata Mieszek, Anna Petlak

9-12
- PDF (Język Polski)

ARTICLES

DIGITAL SCHOLARLY EDITING AND THE PUBLISHING PROCESS
DOI: https://doi.org/10.26485/PP/2025/80/1

Magdalena Komorowska

13-28
- PDF (Język Polski)
EDITORIAL PROBLEMS IN PREPARATION FOR PUBLICATION OF THE MONUMENTS OF THE SACRED MONODY OF THE KYIVAN CHURCH
DOI: https://doi.org/10.26485/PP/2025/80/2

Yurii Yasinovskyi

29-52
- PDF
METHODOLOGICAL APPROACHES TO DANCE CULTURE STUDIES: THE NEED FOR DOCUMENTARY AND SOURCE-BASED PUBLISHING. A REVIEW OF HISTORICAL DANCE RESEARCH
DOI: https://doi.org/10.26485/PP/2025/80/3

Anna Reglińska-Jemioł

53-66
- PDF (Język Polski)
EDITING "THE COMPLETE CORRESPONDENCE" OF OCTAVE MIRBEAU
DOI: https://doi.org/10.26485/PP/2025/80/4

Pierre Michel

67-83
- PDF (Język Polski)
TO WHAT EXTENT CAN A PUBLISHER OF AN OLD POLISH TEXT ALTER A TRANSCRIPTION? REFLECTIONS ON THE STORY OF THE “THREE INDIAS” IN "HISTORYJA TRZECH KROLI" (HISTORY OF THE THREE KINGS)
DOI: https://doi.org/10.26485/PP/2025/80/5

Olga Ziółkowska

85-99
- PDF (Język Polski)
A CRITICAL EDITION OF "SARMATIAE EUROPEAE DESCRIPTIO" AND "KRONIKA SARMACYJEJ EUROPSKIEJ" (CHRONICLES OF EUROPEAN SARMATIA) BY ALEKSANDER GWAGNIN – THE GOALS, PREMISES, AND INITIAL IMPLEMENTATION OF THE PROJECT
DOI: https://doi.org/10.26485/PP/2025/80/6

Michał Kuran

101-120
- PDF (Język Polski)
THE WORKS OF MARIA DUCHESS WIRTEMBERSKA: AN EDITORIAL CHALLENGE – WHAT TO PUBLISH, HOW TO PUBLISH, AND WHETHER TO PUBLISH?
DOI: https://doi.org/10.26485/PP/2025/80/7

Marta Biedrzycka

121-135
- PDF (Język Polski)
“PRZECIW SWEMU ZWYCZAJOWI NOWINKAMI CIĘ BAWIĘ” (“AGAINST MY USUAL HABIT, I AMUSE YOU WITH NOVELTIES”). EMILIA WRÓBLEWSKA’S LETTERS TO HER SON TADEUSZ. REFLECTIONS ON THE MARGINS OF THE DIGITAL EDITION OF HER DIARIES
DOI: https://doi.org/10.26485/PP/2025/80/8

Agnieszka Kozyra

137-150
- PDF (Język Polski)
THE AUTHOR AND THE EDITOR – JAN LECHOŃ AND MIECZYSŁAW GRYDZEWSKI IN “WIADOMOŚCI” (1948–1956)
DOI: https://doi.org/10.26485/PP/2025/80/9

Monika Urbańska

151-168
- PDF (Język Polski)
SELECTED ASPECTS OF EDITING POST-WAR AND CONTEMPORARY DRAMAS IN PRINT AND DIGITAL FORMATS
DOI: https://doi.org/10.26485/PP/2025/80/10

Agnieszka Kramkowska-Dąbrowska

169-192
- PDF (Język Polski)

Varia

THE IMAGE OF A NOBLEMAN IN „NAPIS NA GROBIE… GREHORA CHODKIEWICA" (INSCRIPTION ON THE TOMB OF... GREHOR CHODKIEWIC) BY MACIEJ STRYJKOWSKI
DOI: https://doi.org/10.26485/PP/2025/80/11

Małgorzata Mieszek

195-206
- PDF (Język Polski)
THE CONCEPT OF "CONTEMPTUS MUNDI" IN "ŚWIAT POGARDZONY…" (THE WORLD DESPISED…, 1647) BY STANISŁAW TEODOR PIOTRKOWCZYK
DOI: https://doi.org/10.26485/PP/2025/80/12

Katarzyna Kaczor-Scheitler

207-227
- PDF (Język Polski)
EDYTORSTWO NA ŁÓDZKIEJ POLONISTYCE – WCZORAJ I DZIŚ
DOI: https://doi.org/10.26485/PP/2025/80/13

Anna Petlak

231-241
- PDF (Język Polski)

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