Vol. 24 (2022): Art: Integration and Dispersion

View Vol. 24 (2022): Art: Integration and Dispersion

Co-financed by the Minister of Culture and National Heritage from the Promotion of Culture Fund.

Co-financed by the Ministry of Education and Science, Republic of Poland.

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VOLUME EDITORS: Aneta Pawłowska, Paulina Sztabińska-Kałowska

Published: 2022-12-20

Full Issue

Articles

  • Continuity, Discontinuity, Fulguration – Philosophical Contexts of Changes in Art

    Teresa Pękala
    9-25
    DOI: https://doi.org/10.26485/AI/2022/24/1

  • Beyond the Principle of Unity

    Anna Szyjkowska-Piotrowska
    27-37
    DOI: https://doi.org/10.26485/AI/2022/24/2

  • Unity of Art in Adorno’s Aesthetic Theory

    Rafał Czekaj
    39-50
    DOI: https://doi.org/10.26485/AI/2022/24/3

  • Art History as a Thick Discipline

    Marcin Bogusławski
    51-71
    DOI: https://doi.org/10.26485/AI/2022/24/4

  • VR Art

    Sidey Myoo
    73-85
    DOI: https://doi.org/10.26485/AI/2022/24/5

  • Theoretical and Conceptual Approaches to Cyber Theatre

    Carlos Dimeo, Anna Wendorff
    87-95
    DOI: https://doi.org/10.26485/AI/2022/24/6

  • Anselm Kiefer: Collecting what is Broken. Works from the Chevirat Ha-Kelim (breaking of the Wessels) Cycle

    Eleonora Jedlińska
    97-117
    DOI: https://doi.org/10.26485/AI/2022/24/7

  • Dispersion of a Work of Art – Adam Marczyński, Tadeusz Kantor, Karol Broniatowski

    Elżbieta Błotnicka-Mazur
    119-138
    DOI: https://doi.org/10.26485/AI/2022/24/8

  • Strategies of Scattering and Dislocation of a Letter in Ewa Partum's Performances

    Magdalena Howorus-Czajka
    139-156
    DOI: https://doi.org/10.26485/AI/2022/24/9

  • The 21st-century Museum - in Search of a Space for the Integration of Image and Word

    Paulina Długosz
    157-172
    DOI: https://doi.org/10.26485/AI/2022/24/10

  • Art of the Americas Revisited: What Does it Mean to Decolonise a Museum?

    Shikoh Shiraiwa, Olga Zabalueva
    173-195
    DOI: https://doi.org/10.26485/AI/2022/24/11

  • Artistic Labyrinths and the Tower of Babel. A Comparative Look at the Exhibitions: Documenta 5, Les Immatériaux and Labyrinth – an Underground Space

    Anna Dzierżyc-Horniak
    197-224
    DOI: https://doi.org/10.26485/AI/2022/24/12

  • The Issue of (non)integration of Deaf and Hard of Hearing People in Relation to Art and Exhibitions in Poland

    Agnieszka Kołodziejczak
    225-242
    DOI: https://doi.org/10.26485/AI/2022/24/13

  • Heritology and Contemporary Architectural Theory. Universalism of Principles or Heterogeneity and Dispersion?

    Julia Sowińska-Heim
    243-254
    DOI: https://doi.org/10.26485/AI/2022/24/14

  • Discontinuity in the Development of Modern Cities in Rem Koolhaas' Theories

    Cezary Wąs
    255-271
    DOI: https://doi.org/10.26485/AI/2022/24/15

  • Style as a Reflection of Ideology of the Authorities

    Maria Żychowska, Ion Sandu, Yuliа Ivashko, Andrii Dmytrenko, Oleksandr Ivashko, Oksana Morklyanyk
    273-297
    DOI: https://doi.org/10.26485/AI/2022/24/16

  • Jesuit Art in the Modern Period as an Expression of the First Globalisation Dispersal of Iconographic Motifs and Consolidation of the Catholic Religion

    Ewa Kubiak
    299-317
    DOI: https://doi.org/10.26485/AI/2022/24/17

  • Street Art: between Integration and Dispersion. A Global Collective of Individualities

    Agnieszka Gralińska-Toborek
    319-332
    DOI: https://doi.org/10.26485/AI/2022/24/18